German-born Canadian composer Michael Oesterle (b. 1968) writes primarily for the concert hall, but has also composed for theatre, film, animation, and dance projects. One of his works has been nominated for a Juno Award. His Cello Concerto, which I would describe more as a Suite for Cello and Orchestra in 5 short movements, is loosely based on a Scottish folk tune titled The Iron Man, which the composer uses as the catalyst for the concept behind this piece; the effects of the industrial revolution's developments on humanity. A heavy and complex social matter that the music itself seems to treat rather lightly. The five individual movements sound like idle variations on the main subject, projecting the idea that along with industrial progress, human beings have become automatons (as the cover image suggests) without a life affirming purpose. It would make for a perfect score to an animated film on the perils of industrialization.

Cellist Ariel Barnes certainly captures the "folk tune" essence of this work as he strives in many passages to transform his cello into a fiddle with light and jaunty rhythmic fingering, and at times even a hint of rustic bowing. Conductor Anne Manson follows his lead and provides fine orchestral support without intruding on the solo instrument's detailed narrative and discourse. The hint of melancholy in the final movement as it revisits the main theme, leaves you with a trace of sadness for the future of the human race. Quite the sleight of hand to pull off on such a simple tune.