ESSENTIAL RECORDINGS
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OTTORINO RESPIGHI - Sinfonia Drammatica - Belfagor Overture - Liège Philharmonic Orchestra -
John Neschling (Conductor) - Hybrid SACD - 7318599922102 - Released: July 2016 - BIS BIS-2210 I'm confident everyone would agree that Ottorino Respighi (1879-1936) was a master orchestrator capable of painting large sonic canvases evoking vivid and colorful imagery
as in The Pines of Rome, Church Windows and Belkis, Queen of Sheba to name just a handful. But what about pure symphonic non-programmatic music like this
Sinfonia Drammatica composed in 1914. Relatively speaking, it's much easier to come up with good material when you're trying to depict an event or a graphic
vision, than it is to start with a few good thematic ideas and develop and manipulate them over a long span of time. You see, music is the only art form that not only exists in physical space, but
also in time, and only the very best composers can write a piece spanning an hour or even more, and make it work. And Respighi is a prime example. This is a magnificent symphonic statement,
perfectly laid out, developed and orchestrated. The slow middle movement alone could be used as teaching material in a masterclass on thematic and harmonic presentation, development and
closure. How Respighi brings everything to rest at the end is simply breathtaking. I've read many negative reviews of this work, claiming it to be too long, unfocused and meandering. Obviously
these naysayers don't understand symphonic argument, or only appreciate music with "bling" in it. This can stand head to head with composers like Richard Strauss and Mahler.
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