Franz Joseph Haydn: String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob.III:76, "Fifths" (arr. Noémi Győri for flute quartet)
Wolfgang Amadeus Mozart: Flute Quartet No. 1 in D Major, K. 285
Franz Joseph Haydn: String Quartet No. 64 in D Major, Op. 76, No. 5, Hob.III:79 (arr. Noémi Győri for flute quartet)
Wolfgang Amadeus Mozart: Flute Quartet No. 3 in C Major, K. Anh. 171/285b

The flute may not have the same type of expressive range when compared to a violin, but it more than makes up for this shortfall with a wider dynamic range, flexibility and fluid movement. And it certainly has a way of brightening up any and all sonic textures. Of particular interest in this recording are the String Quartets by Franz Joseph Haydn arranged with the flute as the leading voice by flautist Noémi Győri, who amongst other prizes, awards and achievements, happens to be the first flautist to hold a PhD in Flute Performance from the Royal Academy of Music in London.

In the booklet notes she states: "While producing this rendition we aimed for a crystal clear, fresh interpretation of each work through vigorous playing." And in collaboration with Katalin Kokas (violin), Péter Bársony (viola) and Dóra Kokas (cello), the sunny and spirited disposition of these quartets comes out front and center. Although ensembles of musicians comprising violin, viola and cello formations existed before him, Joseph Haydn was the first composer to consciously compose works for the string quartet formation therefore establishing the genre, and setting the blueprint for thousands of standard setting works henceforth. I've always considered the quartet to be a true test of any composer's mettle as it lays bare all the parts and their interaction as well as their individual roles.

It's nice to hear these almost 300 year old pieces presented in such a way as to preserve their aunthenticity, but at the same time reinvigorated with the fresh and animated sound of the flute. The interpretations are committed and lively, with an audio recording to match.